This week, Noah and Chance climb out of hell with three contract killers left for dead. They begin with “Kill Bill, Vol. 1,” asking whether this is a turning point in the scope of Tarantino’s genre bloodbaths. At 18:10, they analyze Mel Gibson’s lost and compromised stardom in “Payback” (1999) and quibble over when this Hollywood noir riff is set. When “John Wick” is approached at 28:15, they ask if you can reverse engineer a good-good movie by starting with Keanu Reeves as a ridiculous sleeping giant and adding enough style and world to make it sing.