Queen & Slim Are Ready For Their Poster

Police violence, or the threat of it, against unarmed black folks has been depicted in many films this decade: Fruitvale Station, Widows, Detroit (as a clear present-past resonance), The Hate U Give, Get Out and more. Of course, you could argue this wave of depiction is quite late. Police violence in its current form is […]

‘Ford v Ferrari’ is Actually a Tale of Goliath Fighting Himself

It’s been an unkind autumn to 50-year-old movie stars hoping to galvanize audiences by making ‘em like they no longer make ‘em, brother. Even in the year of Our Lord Brad Pitt, Ad Astra didn’t exactly burn down the house. With its cloning idea from 1998 literally and figuratively, Gemini Man was a financial disaster […]

‘Yesterday’ Isn’t Half The Film It Wants To Be

If you’re walking into a movie in which the global power grid blips and the entire world—save one man—forgets The Beatles ever existed, ready yourself for cornballery. That’s not to mention the presence of Love Actually and Notting Hill scribe Richard Curtis, the Fab Four’s poppiest fare, and Lily James ranking among the world’s cutest […]

‘Pet Sematary’: The Best Thing About Your Movie Shouldn’t Be A Zombie Cat

At this point in horror-movie history — hell, in American history — trace elements of Stephen King linger in every breath. In 2019, the setup to one of his film adaptations feels as familiar in our cinematic language as a vanload of horny teens headed to a remote cabin, or a group of misfit baseball […]

Don’t Hurt Yourself: ‘Us’ Challenges, Rewards What You Want From a ‘Get Out’ Follow-Up

Two years in the rear view and seemingly not one day undiscussed, Get Out was driven by a paradox — a paradox that fueled its status as a box office, film essay, theatrical experience, awards season, memeified phenomenon. Jordan Peele’s 2017 directorial debut was packed with meaning and symbolism that was also really only interpretable […]

“BlacKkKlansman”: Man vs. Meaning

Gone With The Wind. D.W. Griffith. A cop thriller mixed with a cop brutality drama. The Holocaust. The political institutionalization of rightwing reactionaries. Charlottesville. Donald J. Trump. Split consciousness. Passing in America. “He’s trying to do too much,” many-a reasonable viewer could say of Spike Lee and his new film BlacKkKlansman. But Spike Lee doesn’t […]

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Movie Reviews & Reappraisals

Be Reel was a movie reviewing & reappraising podcast hosted by Chance Solem-Pfeifer and Noah Ballard.

We cherished our 8-year run, talking to filmmakers like Gus Van Sant, insulting each other’s taste, and laughing to high heaven.

Chance’s new movie podcast, The Kickcontinues to explore curated sub-genres and movie geekery. Noah is a frequent and beloved guest.

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“A Wrinkle In Time”